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Note: This blog post is part of a series titled "The Work of the House of Joseph." To view all parts, click the link below.
When Malachi Martin wrote his book, Windswept House, claiming that at the enthronement of Pope Paul VI in 1963 a parallel Enthronement of Lucifer had taken place, it seemed too horrible to imagine. But the evidence is seen clearly in the pope’s Audience Hall, which was constructed shortly afterward and completed in 1971.
It was designed in the form of a serpent, and the pope was to address the audience from the mouth of the serpent, as if he were speaking for the serpent. Notice not only the two eyes but also the two fangs.
The outside was also designed to portray the undulating shape of the serpent.
On the stage itself the pope sits in front of a very chaotic scene, probably meant to convey the resurrection of Christ out of the chaos of death or hell. The scene is anything but beautiful. Neither is Christ portrayed as victorious. Instead, he is portrayed zombie-like, as if he remains dead but is animated by an evil spirit. In other words, he is portrayed more as a zombie than as the risen Christ. The face of Christ is twisted in the form of a serpent as well, suggesting who that animating spirit really is. It is not the Holy Spirit; it is the serpent.
Here is close-up of Christ, supposedly rising in victory over death. He still looks dead, and his skin looks scaley as we would expect from a serpent. His long hair gives his head the appearance of a serpent. This is hardly a picture of resurrection, no matter how much they may claim it to be so. It is more the picture of a zombie, where the walking dead are animated by a spirit.
A picture from the left side shows that the same serpent imagery was meant to be portrayed from either side.
It is hard to escape the conclusion that the architect or artist was a Satanist, hired by the Vatican to present the church to the serpent and to make the pope the spokesman for that serpent.
My conclusion is that Malachi Martin was correct. I see the construction of this Hall in 1971 as evidence that the Church was indeed dedicated to Lucifer in 1963.
A similar tactic was used in constructing Washington D.C., where L’Enfant drew up the plan to make Baphomet the god of the city with his symbol—the Pentagram—embedded in the street design. The purpose was to dedicate the nation’s capital to Baphomet and to turn the White House (on Plot #666) into a place where presidents would be the spokesmen for the god of the city.
I believe that the pope’s Audience Hall serves the same sinister purpose. However, the Hall reached its 50th year from 2020-2021. This may support the rumors that we have heard about a great cleansing that they say is taking place at the Vatican. Time will determine whether or not those rumors are true, but from the standpoint of prophecy and of spiritual warfare, it is clear to me that we are on the brink of a major shift in world power.
The warfare in November of 2001 resulted in victory for the Kingdom of God, and the death of Pope John Paul II in April of 2005 occurred on a Cursed Time cycle of 3 x 414 days. It is only a matter of time before the “little horn” extension of Rome collapses and “the serpent, who is the devil and Satan” is bound for a thousand years (Revelation 20:2).
Note: This blog post is part of a series titled "The Work of the House of Joseph." To view all parts, click the link below.